![]() The Seattle Opera's last Ring was in August 2013, and they have stated that they have no plans to produce the Ring in the future. ![]() In 1975, it was the first American company to perform the cycle in its entirety over the space of a week since the Metropolitan Opera in 1939. There are even auto bumper stickers about opera." Further, Schonberg remarked favorably on the "air of freshness and experimentation that contrasts vividly with the dull, tried and true, tired professionalism in other opera houses one could mention." Richard Wagner at Seattle Opera įor many years, the company was noted for its performances of the works of Richard Wagner, including the Ring cycle. It is in Seattle where you can look at the sky and find an airplane skywriting the virtues of Seattle Opera. Schonberg of the New York Times contrasted Seattle Opera's approach to marketing to the then still staid marketing of New York's Metropolitan Opera: "Out there, you see campaign buttons with the legend Opera Lives. You have to be able to communicate, and you have to deliver your message with the best possible product you can manage." In 1970, H. ![]() "To sell opera…you have to get their attention with a little razzle-dazzle. And more.From the outset, Ross saw opera as something that had to be sold using similar techniques to those used to sell popular entertainment. And for a festival production of "Aida," the cast once featured a lion, three tigers, a snake. She’s no stranger to working with casts that include animals. Over the years, Seattle Opera productions have featured a goat, in "Porgy and Bess." A bear in "The Ring." And a monkey in "Die Fledermaus."īrovksy, the director, has overseen more than 50 operas throughout the country. You can tell she’s enjoying it because when you’re singing to her she’s very calm." "She has these fantastic ears that work independently of each other, so you could be singing to her and all of a sudden one ear will turn to you and it will turn away. Because who’s going to be looking at YOU when you’re standing next to someone super-cute – or super furry?īut the strapping Bernstein doesn’t mind. In the performing arts, singers and actors don’t typically want to be on stage with a child or animal. ![]() "But I’ve never had the privilege of singing to a donkey." "I’ve had the great great honor and privilege of working with some great singers," he says. Because you turn it into a cartoon when Sancho Panza is singing an aria to a cardboard horse," she says.īass baritone Richard Bernstein has been an opera singer for 21 years. ![]() "I felt it was important that the animals the characters relate to were real like they were. And the adventures taken with his squire Sancho Panza, whose trusty companion is a donkey.įor the Seattle premiere of the opera, Brovsky said it only made sense to use live animals because they feature so prominently in the 17th Century Spanish novel by Miguel de Cervantes. Linda Brovsky is directing the production at McCaw Hall, which tells the story of a passionate bookworm, Quixote, who rides a horse. The cast also features a memorable pair from Bothell who is making its operatic debut: Millie, a donkey, and Desperado, a horse. Seattle Opera’s latest production is “Don Quixote.” The show is a spectacle, featuring sets that look like humongous books computer-animated windmills and flamenco dancers. ![]()
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